In my last tv/film class, we went down the line for the answer to the question:
“What are you hoping from today’s performance?”
The answers varied,
“I hope I bring truth to my performance.”
“I hope I remember my lines.”
“I hope I’m convincing.”
So here is one idea on how the brain works. It has a five sensory active picture, a thought, it tries to convey through language, either through the body, or verbal language. But what kind of picture/thought is Hope? Hope is a dream, a desire, an unsolid thing, liquid. It covers a lot of ground. Hoping is a (we think) positive throwing of the hands up in the air and seeing what happens. But it’s not firm, it has no backbone, and is 50/50. If you ever invite someone to your party, and their response is “Oh yeah! I hope to make it!” give their invite to someone else, you’ll never see them. They don’t have the SPECIFIC pictures/thoughts of showing up, ringing that doorbell, holding that bottle of wine they took time to pick out, that door opening, the lighting up of the face, HEY!, in they go.
It’s not that they don’t like you, in fact the opposite, they’re trying to convince you they’ll be there, because they do like you, but they’re not doing the work.
The audition room is no place for hope. The audition room is a place for work. The audition room is meant for solid thinking. I know who my character is, I know where I am, I know what I want, I come in service, I am in the moment in joy. Done. No wishy washy, no secret prayer you’ll get lucky, failure is a joke to be smirked at. Like the old pirate saying: Abandoned all hope ye who enter here. That’s your audition room. A place of joy, work and love. Do we see how all of the earlier answers to the question, what are you hoping will happen, was actually an unconscious belief that it WONT happen? Look to your hope. It’s where you need to work more on your script, your character, your setting, your audition mindset. Give up hope, there’s work to be done.